All BALDUNG GRIEN, Hans's oil paintings
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| ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
| 4919 |
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Adam (detail) |
1524
Wood
Museum of Fine Arts, Budapest |
| 4918 |
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Adam fjj |
1524
Wood, 208 x 83,5 cm
Museum of Fine Arts, Budapest |
| 63525 |
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Adoration of the Magi |
1507 Oil on wood Staatliche Museen, Berlin In the centre of the altarpiece the donor, Ernst von Wettin, Archbishop of Magdeburg, brother of Emperor Frederic the Wise, is represented. The side panels depict St George and St Maurice, the latter being the patron saint of the Magdeburg archbishopry.Artist:BALDUNG GRIEN, Hans Title: Adoration of the Magi Painted in 1501-1550 , German - - painting : religious |
| 63687 |
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Aristotle and Phyllis |
1513 Woodcut, 330 x 236 mm Germanisches Nationalmuseum, Nuremberg This picture symbolizes the power of the women by representing the phylosopher Aristotle as he brings on his back his lover, Phyllis. This story was often pictured by Renaissance artists.Artist:BALDUNG GRIEN, Hans Title: Aristotle and Phyllis Painted in 1501-1550 , German - - graphics : mythological |
| 63688 |
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Crucifixion |
1511 Chiaroscuro woodcut, 347 x 260 mm Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Crucifixion Painted in 1501-1550 , German - - graphics : religious |
| 4920 |
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Eve lkioyi |
1524
Wood, 208 x 83,5 cm
Museum of Fine Arts, Budapest |
| 4921 |
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Eve (detail) l97 |
1524
Wood
Museum of Fine Arts, Budapest |
| 4917 |
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Eve, the Serpent, and Death |
1510-12
Panel
National Gallery of Canada, Ottawa |
| 78797 |
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Hercules and Antaeus |
1530(1530)
Medium Oil on panel
Dimensions 73 x 98 cm (28.7 x 38.6 in)
cyf |
| 79474 |
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Hercules and Antaeus |
1530(1530)
Medium Oil on panel
Dimensions 73 x 98 cm (28.7 x 38.6 in)
cyf |
| 52226 |
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Mater Dolorosa |
c. 1516 Wood, 153 x 46 cm |
| 4925 |
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Music dertete |
1529
Oil on pine panel, 83 x 36 cm
Alte Pinakothek, Munich |
| 4924 |
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Prudence hhh |
1529
Oil on pine panel, 83 x 36 cm
Alte Pinakothek, Munich |
| 52004 |
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Rest on the Flight to Egypt |
c. 1514
Oil on wood,
48,5 x 38,6 cm |
| 63690 |
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St Christopher |
1520 Woodcut, 240 x 163 mm Germanisches Nationalmuseum, Nuremberg Baldung-Grien's paintings are equalled in importance by his extensive body of drawings, engravings, and woodcuts of an intense vitality.Artist:BALDUNG GRIEN, Hans Title: St Christopher Painted in 1501-1550 , German - - graphics : religious |
| 52005 |
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St John at Patmos |
c. 1515
Oil on wood,
87,3 x 75,6 cm |
| 63691 |
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The Groom Bewitched |
1544 Woodcut, 33 x 19,7 cm National Gallery of Art, Washington Hans Baldung was a powerful designer of woodcuts, second only to D?rer in his ability to create an atmosphere in which the familiar becomes strange and eerie. He, like some of his Flemish contemporaries, favoured weird tales of demons and witches, so that many of his scenes deal with diablerie and magic. One of his masterpieces of this genre represents malevolent witches tiding goats in an atmosphere as ominous as that described by Goethe in Faust. We display here the startling representation of a bewitched groom, not only because it is typical of Baldung's favourite subject matter, but because it is so original and inventive. One senses in this artist the same desire to probe the laws and principles of perspective that we find in the earlier Italian masters Paolo Uccello and Piero della Francesca. The fallen groom, daringly foreshortened, with feet extended almost out of the picture and head reaching to the entrance of a second room, recalls a similar experiment of Andrea Mantegna's, the dead Christ in his painting of The Lamentation. The unlucky groom had been caring for his horse when the evil creature appeared at the window on the right and leveled her curse at him. He lies prostrate in a trance. The horse turns his head, obviously sensing something strange. The viewer realizes at once that the artist was as much concerned with his design of picture as with its literary content. On his flat sheet of paper he has succeeded in suggesting deep space: a view that extends from one room into another, and continues through an opening in the back to the open air outside. This print is fairly large and was probably intended as a decoration. The engraved lines are set wide apart except in the back stall, where they are worked into a screenlike effect to suggest a darker area. This is a memorable print, and, for the period, a veritable tour de force.Artist:BALDUNG GRIEN, Hans Title: The Groom Bewitched Painted in 1501-1550 , German - - graphics : mythological |
| 4916 |
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The Knight, the Young Girl, and Death ddww |
c. 1505
Oil on wood, 355 x 296 cm
Mus??e du Louvre, Paris |
| 4923 |
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The Seven Ages of Woman ww |
Oil on oak-wood, 96,5 x 74 cm
Museum der Bildenden K??nste, Leipzig |
| 4926 |
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Three Ages of Man and Three Graces |
1539
Oil on panel, 151 x 61 cm (each)
Museo del Prado, Madrid |
| 4922 |
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Three Ages of the Woman and the Death rt4 |
1510
Oil on limewood,48 x 32,5 cm
Kunsthistorisches Museum, Vienna |
| 52006 |
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Virgin and Child in a Room |
1516
Oil on wood,
47,9 x 36,6 cm |
| 63689 |
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Witches Sabbath |
1510 Woodcut Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Witches Sabbath Painted in 1501-1550 , German - - graphics : mythological |
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| BALDUNG GRIEN, Hans
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| German Northern Renaissance Painter and Printmaker, ca.1484-1545
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